SEPTEMBER 18 – OCTOBER 5
Acclaimed writer Molly Smith Metzler (‘Shameless’, ‘Orange is the New Black’, and ‘Maid’) brings us a new comedy about the challenges of parenthood. This heart-warming comedy finds divergent and new young mothers who strike up a friendship during precious nap time. The comedy takes a sharp and honest look at the power of friendship, the paradox of working motherhood, and the effects that economic and social class have on parenthood in the United States.
Produced by special arrangement with THE DRAMATIC PUBLISHING COMPANY of Woodstock, Illinois.
World premiere in the 2017 Humana Festival of New American Plays at Actors Theatre of Louisville.
ARTISTIC TEAM
Director – Jessica Holt♦
Scenic Designer – Kenneth Martin
Costume Designer – Alex Heder
Lighting Designer – Mitch Wilson
Sound Designer – Amoirie Perteet
Voice and Dialect Coach – Michael Najman
Stage Manager – Simone Ladouceur
Artistic Director, Department Head – Kenneth Martin
Managing Director – Tom Cervone
Production Manager – Susan L. McMillan
♦ The Director is a member of the Stage Directors and Choreographers Society, a national theatrical labor union.
Run Time:
1 hour and 40 minutes with no intermission
Advisories:
This production includes strong language, profanity, discussions of childbirth, breastfeeding, smoking, and mental health.
Molly Smith Metzler is an award-winning playwright and screenwriter from Kingston, N.Y. She is the creator and showrunner of the limited series Maid, which debuted on Netflix in October 2021 and spent 13 weeks on the top-10 list, viewed by more than 67 million households. In March 2022, Maid won the Writers Guild of America (WGA) Award for Outstanding Writing of a Limited Series–Adapted Long Form, and was named a “TV Program of the Year” by the AFI (American Film Institute). It also received award nominations from The Golden Globes, SAG, the Critics’ Choice Awards, NAACP, and more. Metzler’s TV credits include several seasons of Shameless (Showtime), Casual (Hulu) and Orange Is the New Black (Netflix). In film, she’s written features for Universal, Disney and Fox 2000.
As a playwright, Metzler’s plays, including Cry it Out, Elemeno Pea, The May Queen, Carve, Close Up Space and Training Wisteria, have been produced at Manhattan Theatre Club (MTC), Humana Festival/Actors Theatre of Louisville, South Coast Repertory, Northlight Theatre, Studio Theatre (DC), Detroit Public Theatre, City Theatre (Pittsburg), Geva Theatre Center, Chautauqua Theater Company and many more. Her play Cry it Out won the Los Angeles Drama Critics Circle Award for Outstanding Playwriting (2018) and the Steinberg/ATCA New Play Award Citation (2018). Her other awards include the Harold and Mimi Steinberg National Student Playwriting Award from The Kennedy Center, the David Mark Cohen Award from the Association for Theatre in Higher Education (ATHE), and the Mark Twain Prize for Comic Playwriting. Metzler is a proud alumna of SUNY Geneseo, Boston University, New York University’s Tisch School of the Arts and the Juilliard School, where she was a two-time recipient of the Lecomte du Nouy Prize from Lincoln Center.
Currently, Metzler is writing a new television show for Netflix, where she has an overall deal. She is also working on plays for The Kennedy Center, Manhattan Theatre Club and South Coast Repertory. She lives in Los Angeles with her tiny family and giant dog.
Why are you excited to be directing ‘Cry It Out’?
I love this play, and as soon as I read it, I knew I wanted to direct it. Molly Smith Metzler’s writing is so sharp, hilarious and honest and she has created very funny, complex, deeply human characters. It’s always such an incredible treat to work on material that is so deftly written and enables actors to grapple with such complex characters & circumstances. But even more than that, I was excited that this play takes such an honest look at parenthood, class, and the choices that we are able to make within the set of options that are available to us. There aren’t lots of plays that explicitly explore motherhood so centrally. Cry it Out follows this delightful, developing friendship between two new moms on parental leave whose backyards adjoin. They come from two very different class worlds. They seemingly have nothing in common except for one very big thing: they both have little newborns. And then, they collide with a couple who seem to have it all. But even this couple is colliding with limitations. I’m not a mother, but this play made me think a lot about my own mother and grandmother, and the choices that were available to them when they were raising their children. I love that this play made me think about women’s choices and the socioeconomic limitations that impact the “choices” they are able to make, and how that has and hasn’t changed generationally.
What makes ‘Cry It Out’ unique?
It’s a feminist play that’s for everyone. It takes these private conversations between new mothers and makes them public. And by taking an honest look at this demographic, the play is able to reveal much more about our society as a whole. Without being didactic, this play sheds light on our immense class inequalities, our still-inflexible parental leave policies in the workplace, how unfair the socioeconomics of child care really are, and gender norms around parenting expectations that are still regressive. And it also features a new father and enables us to look at how he grapples with the challenges of new parenthood. Cry It Out reminds us that parenthood and how we support parents isn’t just a women’s issue. It’s an everyone issue. Oh, and it’s a comedy! It explores all of these complicated issues and it does it in a way that is both very smart and very, very funny.
What do you hope audiences will take away?
This play doesn’t leave us with easy answers to the questions it raises, which is truthful to the current realities that new parents face as they navigate their way back into the world as a completely new person. So I hope that audiences leave talking about these questions around choice, class, inequality & gender norms. And I also hope that audiences take away a sense of hopefulness for our characters even in the midst of unresolved questions. While the characters don’t have simple answers for their questions, they have created powerful new friendships with one another that have saved them during this tender period in their lives.
How has it been working with the students on this production?
I have loved working with the brilliant MFA students on this production. The actors have been so curious, dedicated and hungry to really uncover the truth of these characters. As I said, this play is definitely a comedy and we have made each other laugh a lot in the rehearsal process as we fine tune the jokes and absurd moments in the play. And I love how they are always up to try new things, asking more questions, and moving the work forward. I have watched them all grow so much over the rehearsal process. And our design and production team has incredibly gifted student talent as well! Our sound designer, lighting designer and costume designer are all MFA students, and the quality of their designs inviting us into the suburban world of Port Washington, NY are stunning. I can’t wait for audiences to experience this production of Cry It Out here at the Clarence Brown Theatre.
JESSICA HOLT (Director) (she/her) is thrilled to make her debut at Clarence Brown Theatre. Recent projects include The Lifespan of a Fact (Aurora Theatre), Sense & Sensibility (The Cape Playhouse), The Great Leap (Oklahoma City Repertory Theater), Fun Home (River & Rail Theatre), Ironbound, The Code by The Kilbanes (American Conservatory Theatre), Uncovering Downtown by Jessica Holt & Mona Mansour (En Garde Arts), The Thanksgiving Play, Sense and Sensibility, Fun Home, Venus in Fur (Virginia Stage Company), The Resting Place, Bright Half Life, The Lily’s Revenge (Magic Theatre), Speech and Debate (Barrington Stage Company), Rich Girl (Florida Studio Theatre), The Daughters (San Francisco Playhouse), and Ugly Lies the Bone (Alliance Theater). She has developed and directed new work at Cape Cod Theatre Project, Ensemble Studio Theatre, Santa Cruz Shakespeare, Berkeley Rep, Rivendell Theatre, Bay Area Playwrights Festival, Sewanee Writers Conference, among others. She is the Director of the Summer Training Congress at A.C.T. and taught and directed in their MFA program from 2019-2022. She is currently on teaching faculty with Maggie Flanigan Studio NYC, and has also taught at the American Academy of Dramatic Art, Fordham University, UC Berkeley, and Stanford University, among many others. 2017 National Directors Fellowship, 2016 Yale Directing Fellowship at the Alliance Theatre. MFA in Directing, Yale School of Drama. Proud member: SDC. www.jessicaholt.org
KENNETH MARTIN (Scenic Designer) is the Artistic Director of the Clarence Brown Theatre and Chair of the Department of Theatre. As a member of United Scenic Artists, Ken’s design work has been seen at Kansas City Repertory Theatre, Kansas City Actors Theatre, The New Theatre The Sacramento Theatre Company, Cleveland Ensemble Theatre, Contemporary American Theatre Company, Ocean State Theatre Company, Surflight Theatre, Theatre by the Sea, Florida Repertory Theatre, Theatre Rhinoceros, among others. He has also designed shows for many colleges and universities including Marquette University, University of Wisconsin-Stevens Point, Coastal Carolina University, Cuyahoga Community College and The Ohio State University. Professor Martin has actively served his profession as a respondent for the Kennedy Center American College Theatre Festivals, as a consultant for several regional theaters and through active participation in organizations like the United States Institute for Theatre Technology, the Association for Theatre in Higher Education and University Resident Theatre Association.
ALEX HEDER (Costume Designer) Alex is a third-year graduate student from Northern Utah. He has a BFA in costuming from Utah State University, and also has a robust background in scenic and properties design. He designed the costumes for a film adaptation of Monteverdi’s opera L’incoronazione di Poppea and the world premiere of an original opera based on the book Uncovered by Leah Lax. Cry it Out is his seventh realized design. Outside of theatre Alex spends most of his time attending conventions, renaissance fairs, participating in buhurt armored combat, and crafting related things. He is a certified blacksmith and a leather artisan among other things and his work can be viewed at www.alexheder.com
MITCH WILSON (Lighting Designer) Mitch is the 3rd year Lighting Design MFA candidate for the UT Theatre Department. This will be his last of two designs at the Clarence Brown/Lab Theatre over 2024/25 ending his time here with, Inherit the Wind. He has begun his fifth semester of graduate school and is teaching the lighting design portion of Introduction to Design (Lights/Sound/Media). He would like to thank his fiancé Kiera Blackwell for her love and support.
AMOIRIE PERTEET (Sound Designer/Composer) is originally from Chicago, Illinois and currently a third-year MFA candidate in Sound & Media Design. She graduated from UT in 2022 with a BA in Music Production & Business. Last summer, she was the assistant sound designer for Romeo & Juliet at the American Players Theatre. Recent credits with the Clarence Brown Theatre include: Blood at the Root, Trouble in Mind, Hair, The Moors and Anon(ymous). She is excited that Cry It Out is her sixth sound design with the Clarence Brown Theatre. To keep up with her, you can find her on Instagram @amoirie.
MICHAEL NAJMAN (Voice and Dialect Coach) is thrilled to be Voice and Dialect Coach for Cry It Out. A graduate of the University of Tennessee, Knoxville’s Master of Fine Arts in Acting program, his most recent performances include Mickey Schwerner in The Invaders: A Freedom Summer Play, Hector MacQueen in Murder on the Orient Express, and Margaret Mead in Hair. He also plays Aspen Kimura in the audio drama podcast He Who Forsakes the Crown, releasing its final episode soon. Prior voice and dialect coaching work includes Murder on the Orient Express, A Christmas Carol, Hair, and She Kills Monsters. He would like to thank you, the audience, for keeping the theatre alive.
SIMONE LADOUCEUR (Stage Manager) is ecstatic to be doing her first show in the Lab Theatre. She is a senior at UT, and is getting a BA in Theatre. Previous credits at the Clarence Brown Theatre include Murder on the Orient Express (Deck Crew), Murder on the Orient Express (Assistant Stage Manager), Kinky Boots (Assistant Stage Manager). She would like to thank Patrick Lanczki and Susan McMillan for being wonderful mentors and helping her shape her own craft of stage management. She would also like to give a special thank you to her fiance for being her #1 supporter and pushing her through tough times.
TOM CERVONE (Managing Director) Tom is grateful and honored to serve the Clarence Brown Theatre as Managing Director. Cervone has also served as executive director for both Dogwood Arts and the Historic Tennessee Theatre Foundation, but the CBT/UTK Theatre Department is Tom’s administrative and artistic home. Cervone arrived in Knoxville in 1989 as an MFA candidate in acting and was hired in May of 1993 as the company manager, then promoted to managing director in 1995. And for his brief foray downtown, Tom has been in this chair, blissfully, ever since. Tom is and has been very active within the UTK community, having served as Exempt Staff Council chair for many years, co-chair of the LGBT Commission, a member of the Diversity Council and many other UTK organizations. Cervone is a long-time board member of the WordPlayers and continues to evangelize on behalf of the art and culture community locally and nationally. Tom received the Chancellor’s Citation for Outstanding Service to the University in 2010. Cervone holds his undergraduate degree in Speech and English Education with an emphasis in Theatre from West Liberty University in West Virginia and a Master of Fine Arts and an MBA from UT. He is a graduate of and was selected as the Class Representative of the Leadership Knoxville class of 2011, the best class ever. Cervone was inducted into his undergraduate alma mater’s class of 2015 Wall of Honor and was appointed by the Governor of WV in 2021 to serve as a member of the Board of Trustees of WLU.
SUSAN L. McMILLAN (Production Manager) is in her eleventh year as Production Manager at the CBT and UT Department of Theatre. In addition, she teaches Stage Management. Prior, Susan was the Production Manager and Stage Management Instructor at the University of California, Santa Barbara, for 6 years. Susan is a member of Actors’ Equity Association, and was a Stage Manager at the Oregon Shakespeare Festival for 18 years. Additionally, she has stage managed at the Guthrie Theatre, Shakespeare Theatre Company, Portland Center Stage, PCPA, Rogue Valley Opera, Portland Civic Theatre, and has toured to the Kennedy Center. Through science (B.S. degrees in Biochemistry and Biology from Oregon State University) and music (cellist), Susan found her way into theatre (Minor in Theatre from OSU). She is incredibly grateful for all the opportunities and adventures along the way, inspirational mentors, artistic and talented colleagues, amazing students, and the love and support of her family and friends. And very grateful for Molly – woof! This season is fully dedicated to her beloved, beautiful, and deeply missed mother, Grace – a shining light forever.
The Cast
GABRIELA “GABI” BULKA (Jessie) is an actor, dancer, movement director, and producer, currently getting her MFA degree in Acting at UT. Native to Krakow, Poland she moved to New York City where she trained at The Lee Strasberg Theatre and Film Institute. Gabriela holds a Professional Dancer and Choreographer Diploma, as well as a degree in IP Law. Recent credits include: A Christmas Carol (CBT Mrs. Cratchit/Mercy Miggot), Charlie (RJ Theatre Company producer/mov.dir.), Hamlet Split Apart (RJ producer/mov.dir); Short Films: Cortado (producer), Thoughts (Zen), Sloane & Dom (Juliana Dembski). To all the moms, especially mine, you all are superheroes! Instagram: @ga_bulka
DEEPIKA “DEVELYN” JAYAN (Lina) is a second year MFA acting candidate. She is also a resident actor at the Clarence Brown Theatre and has worked on main stage shows like A Christmas Carol (2023) and The Giver (2024). The past year, she worked on two short films and a promo video for Knox Children’s Foundation. Develyn is a professional Indian dancer, a yogi, and a martial artist. She has been performing since the age of five through various plays, dance-dramas as well as street plays back in India, and she is here to make professional theatre her next home. She aspires to be an artist who can rise above the social standards and stereotypes and she’s grateful to the Clarence Brown Theatre for opening that path for her and supporting her in her journey.
DENZEL DEJOURNETTE (Mitchell) A man living out his wildest dreams through storytelling. www.denzeldejournette.com
YASHASHVI CHOUDHARY (Adrienne) is an MFA Acting student at the University of Tennessee, Knoxville. She comes from the capital of her country New Delhi, India where she received her B.A.(honours) in English Literature from the University of Delhi. She is a trained Belly dancer and a Black Belt in Taekwondo. Recent credits include: The Giver (Rosemary/Ensemble) and, A Christmas Carol (Mrs. Fezziwig/Miss Lucy).
MANAGEMENT
Assistant Stage Manager
…Jamie Burnett
Directing Assistant
…Elaina Przybyszewski
COSTUMES
Assistant Costume Designer
…Victoria Kahnle
Wardrobe Supervisor
…Liz Aaron
Assistant Wardrobe Supervisor
…Dottie Haller
Wardrobe Crew
…Anna “Sopha” Owens
SCENERY
Deck Crew
…Carolina Jones
…and Abby Hendricks
LIGHTING
Assistant Lighting Designer
…Dylan Tillery
Light Board Operator/Electrician
…Ella Jeske
SOUND
Sound Board Operator
…Grace VerStrate
SWING CREW
…Connor Hosford
ADMINISTRATION
Artistic Director/Department Head – Kenneth Martin
Managing Director – Tom Cervone
Associate Artistic Director – Katie Lupica
Marketing & Communications Director –
…Mindy Cooper
Business Manager – Tara Halstead
Accounting Specialist – Le Anna Jacobson
Administrative Specialist – Emily Pope
General Manager – Vickie Carter
IT Specialist – Mark Spurlock
Graphic Designer – Julie Anna Summers
Patron Services
Manager of Ticketing and Sales –Sarah Burton
Audience Experience Manager – David Ratliff
Box Office Manager – Brittany Spencer
House Manager / Assistant Box Office Manager –
…Savannah Smith
Patron Service Associates – Faridat Akindele,
Kelly Boyle, George Bull, Desirea Burke, Cearan Costello,
Payden Daniels, Tyler Duncan , Isabel Fenech, Monica Gardiner,
Tyler Glover, Max Jacob, Kevine Mahoro, Faith McManus,
Emma Messengill, Breyana Meyer, Joseph Molitor,
Shelby Perdue, Justin Spinella, Micheal Spurgeon,
Jalen Smith, Lillian Snead, Jenna Tiger, Camden Tripp,
Sarah Wahrmund, Madison Wall, Hogan Wayland,
Sierra Woodard, and Jamison Yeager
ENGAGEMENT/DEVELOPMENT
External Relations Manager – Shelly Payne
Grants, Education, and Outreach Manager –
…Hana Sherman
Tours, Workshops – David Brian Alley
Summer Acting Workshops, Talk Backs –
…Terry D. Alford
PRODUCTION
Production Manager – Susan L. McMillan
Rental Coordinator/Assistant Production Manager –
…Phyllis Belanger
Production Stage Manager – Patrick Lanczki
COSTUMES
Costume Shop Manager – Melissa Caldwell-Weddig
Cutter/Draper – Kyle Andrew Schellinger
Costumers – Amber Williams and Liz Aaron
Costume Assistants – Alex Heder, Kaelyn Marie,
…Matthew Carl, Tori Niemiec and Victoria Kahnle
ELECTIRCS
Electrics Shop Manage – Travis Gaboda
Lead Electrician – Jon Mohrman
Lighting Assistants – Lisa Bernard
…and Bailee Boisclair
SCENERY
Technical Director – Jason Fogarty
Assistant Technical Director – George Hairston
Lead Carpenter – Jerry D. Winkle
Senior Carpenter – Kyle L. Hooks
Scene Shop Assistants – Brianna Britford
…Alondra Castro, Morgan Joyce,
…Justice Morris, Baylee Seymore and
…Quin Tomlinson
Lead Scenic Charge Artist – Isabel Isaac
Scenic Charge Artist – Michaela Lochen
PROPERTIES
Props Supervisor/Props Designer –
…Christy Fogarty
Lead Properties Artisan – Sarah Gaboda
Properties Assistants – Leilane Bertunes,
…Trevor Schmitt-Ernst, Benjamin Miller,
…Abby-Noells Potter and Sophie Smrka
SOUND
Sound and Video Manager – Chris Walters
Sound Assistants – Chance Beck, Allison Bucher,
…Elisabeth Dupuy and Amoirie Perteet
Artists Circle
Pamela and James Given
Townes Lavidge Osborn
…and Robert S. Marquis
Hei Park
Linda and Terry Tyler
Producers Circle
Myrwood Besozzi
Larry and Jeanie Brakebill
Peter Campbell
Bonnie Carroll
Elizabeth Carroll
Elizabeth Craig
Nancy Duckles
…and Cameron Sears
Jeffrey Eberting
Vickie Ellis
Susan Farris
Howard Filston
Jayne De Fiore
Rosemary Gilliam
Amy Morris Hess
John and Susan Hoffman
Julie Howard
…and Ted Flickinger
Susan Kornegay
Drs. Theresa Lee Love
…and Jacob F. Love
Erica Lyon and Dylan Jones
Robert Madigan
Maureen Dunn McBride
…and Neil G. McBride
Martha McCampbell
Arthur and Marsha Mitchell
Margie Nichols and John Gill
Linda Norris
Dr. Lee Riedinger
…and Mary Zuhr
Patricia Roux-Sharp
Susan Sgarlat and Charles Fels
Sandra Stoutt
Alice Torbett
Lynn Venafro
Capt. Kenneth Stark
…and Nancy Voith
Donna Wertz
Wendy Wortham
Directors Circle
Sara Phillips
Donna Riggs
Jeffrey Smith
John and Delores Sorey
Rising Star
Misty Anderson
Julia Bentley
John Bushore
John Butler
Leann Dickson
Steve Drevik
Stanton Garner
Lauren Herbstritt
Jeffrey Kovac
Samantha Murphy
Dr. Howard C. Filston
…and Sandra K. Stoutt
Alexander Waters
Leading Player
Sandra and Jay Aldrich
Andrea Anderson
Amy Caponetti
Lauren Chiles
Brooks and Karen Clark
Joan Clevenger
Michael Combs
Danielle Ely and Matt Tully
Moira Ely
Tim Ezzell
Tara Halstead
Dennis Hayward
Julie Lohnes
Calvin and Rebecca MacLean
William Morrow
John North
Bonnie Ownley
Dave Snider
Robert Trigiano
Jessica Tucker
Georgiana Vines
Alexander Water – Chair
Julie Howard – Immediate Past Chair
Margie Nichols – At-Large
Will Brewer – At-Large
Jennifer Banner
Larry Brakebill
Will Brewer
Amy Caponetti
Lisa Carroll
Jeff Cheek
Brooks Clark
Katharine Pearson Criss
Leann Dickson
LeAnne Dougherty
Danielle Ely
Pamela Given
Amy Morris Hess
Michael Higdon
Julie Howard
Delphia Howze
Erica Lyon
Maureen Dunn McBride
Margie Nichols
Linda Norris
John North
Sara Phillips
Vladimir Protopopescu
Lee Riedinger
Tomi Robb
CortneyJo Sandidge
Susan Sgarlat
John Sorey
Pedro Tomás
Alice Torbett
Robin Turner
Terry Tyler
Georgiana Vines
Alexander Waters
Donna Wertz
Melanie Wood
Wendy Wortham
Emeritus Members:
Joe De Fiore
Susan Farris
Sheena McCall
Townes Lavidge Osborn
Ex-Officio members:
Kenneth Martin
Tom Cervone
Jessi Arnidis
Jan Simek
Stephanie Wall
Pandy Anderson
David Andrews
Jeannette Brown
Amber Bilderback
Dennis Bussell
Christopher Clark
Greg Congleton
Mitzi Congleton
Steve Drevik
Vickie Ellis
Deborah Emery
Mardel Fehrenbach
Jim Given
Pamela Given
Gretchen Hartmann
John Hoffman
Julie Howard
Virginia Kerwin
Jerry Kornegay
Susan Kornegay
Sharon Kreis
Steve Krempasky
Robert Lacy
Stephen LaVie
Erica Lyon
Francine Marasco
Elizabeth Matlock
Vanessa McAfee
Maureen McBride
Sheena McCall
Martha McCampbell
Margie Nichols
Linda Norris
Hei Park
Sara Phillips
Elizabeth Pollock
Donna Riggs
Carol Shaffer
Helen Sirett
Helen Tews
Nadine Trainer
Jessica Tucker
Linda Tyler
Terry Tyler
Georgiana Vines
Nancy Voith
Donna Wertz