CBT Theatre Thursdays is a new digital initiative designed to help bring theatre education to the East Tennessee Community. This program aims to provide enriching cultural and educational content to our area youth and lifelong learners who are looking for ways to stay artistically engaged. Each month we will dive into a small section of a play and explore what goes into making that piece of theatre come to life! From conversations and mini video tutorials with directors, dramaturgs, designers, performers, prop artisans, costumers, and more we hope to inspire people to create theatre at home!
This month we delve into the themes of generosity and explore the CBT’s commissioned original play The Open Hand. Join our host for the month Steve Sherman, one of the original cast members, as he interviews playwright, Robert Caisley this week! Get an inside look at how this play was developed from scratch!
This month we delve into the themes of generosity and explore the CBT’s commissioned original play The Open Hand. Join our host Steve Sherman, again this week, as he interviews scenic designer, Nevena Prodanović and discover how the play was able to transition seamlessly from 6 different locations within 8 scenes!
This month we delve into the themes of generosity and explore the CBT’s commissioned original play The Open Hand. Join our host Steve Sherman, for this final week as he interviews actress and UT MFA alum, Lindsay Nance. Dive in as we explore the challenges and joys of performing a character created specifically for you and how to embrace when things on stage go awry.
As the air turns cool and we head into fall, get ready to explore the spooky tale of Sweeney Todd: The Demon Barber of Fleet Street. We kick off this month with an introduction to this musical by Producing Artistic Director, Calvin MacLean. Explore the themes of obsession, humor, and human motivation and how the Clarence Brown Theatre decided to produce this piece together with the Knoxville Symphony Orchestra.
As the air turns cool and we head into fall, get ready to explore the spooky tale of Sweeney Todd: The Demon Barber of Fleet Street. This week will feature a part two by Producing Artistic Director, Calvin MacLean. Discover the challenges of creating this world and staging it all around the Knoxville Symphony Orchestra.
As the air turns cool and we head into fall, get ready to explore the spooky tale of Sweeney Todd: The Demon Barber of Fleet Street. Join us this week as CBT alum, Miwa Ishii, shares how she designed costumes that blend historical and contemporary styles to create the visual story of the characters on Fleet Street.
As the air turns cool and we head into fall, get ready to explore the spooky tale of Sweeney Todd: The Demon Barber of Fleet Street. Discover how lighting not only helps to create the mood, but can also impact the visual energy of the stage. Join us this week as lighting professor Kenton Yeager shares his tips and tools used when designing Sweeney Todd!
As the air turns cool and we head into fall, get ready to explore the spooky tale of Sweeney Todd: The Demon Barber of Fleet Street. Join us for a special interview with Grammy award-winning Maestro Lucas Richman as he reveals the magic of the music and how it enlivens the story of Sweeney Todd!
No tricks, just treats! Join us as we wrap up this month of all things Sweeney, with a special interview with Dale Dickey and Micah-Shane Brewer as they look back at their time working together on Sweeney Todd: The Demon Barber of Fleet Street!
This month we explore Detroit ‘67 and hear from past and current graduate students on how they worked to bring this important and timely story to life on stage. Join us this week as UT alum Aleah Vassell shares her inside look at getting to play the character of Bunny and the challenges and tools she used to take up the space on stage.
How can a set transport you to another place and time, while also tying in the current times? Find out as current MFA designer Katherine Stepanek as she shares her process of designing the set for Detroit ‘67.
How can you create two distinctly different worlds in one space using sound? Find out as current MFA designer Chandler Oppenheimer shares the tools he used when sound designing Detroit ‘67.
Join us this week as House Manager David Ratliff sits down for a special interview with alumni Jade Arnold to hear his perspective of playing Sly in Detroit ‘67 in this extended Theatre Thursdays video.
This month we explore Peter and the Starcatcher and how this fantastical world was brought to life. Join us this week as director and UT Professor Casey Sams shares her inside look at the collaborative efforts it took to stage this imaginative story.
How can costumes help create a familiar world while also demonstrating the power and magic of Starstuff? You won’t want to miss costume designer Erin Reed as she shares her inspirations for Peter and the Starcatcher.
Peter and the Starcatcher: Props Rock!
How do you make the impossible possible… like making a cat fly on stage? Find out as our Prop Shop Supervisor Christy Fogarty shares her secrets behind the magical props required for Peter and the Starcatcher and why the prop shop is not unlike a moving truck.
How can actors overcome the pressures associated with performance? Join us this week as UT alum, Ellen Nikbakht, shares how she was able to overcome that pressure, connect with her character, and use a sense of play to fully embody the character of Molly in Peter and the Starcatcher.
Week 1 | Theatre as a Social Tool
Theatre has been used as a tool to help bring about social change throughout history. Join us as English professor Misty Anderson takes us from Restoration Plays and 18th Century Theatre all the way to Hamilton today as we discover how plays can help shape our society.
Bertolt Brecht described art as a hammer with which we can shape our reality. Discover how Brecht used Epic Theatre to challenge audiences and how scenic designer and MFA alumni Josafath Reynoso was able to use the set design in Threepenny Opera to both bring audiences in and distance them at the same time.
The stories we tell on stage and the voices who tell them are critical in creating an authentic theatrical experience that can bring about change and push forward social movements for the greater good. Join us this week as costume designer and MFA alumni Nicole Jescinth Smith talks about the importance of capturing the authenticity of the costumes in Lorraine Hansberry’s A Raisin in the Sun and how important it is to continue to elevate and celebrate the stories of Black artists today.
Want to learn how you can help support?
Wrapping up this month’s series on Theatre as Activism, we take a look at how theatre and musicals such as Rent have helped to highlight the artistic community including the LGBTQ+ experience. Join us as former MFA acting graduate and CBT resident artist Brian Gligor shares his perspective on Rent and how it helps to show us a better world.
Welcome to our first installment of CBT Theatre Thursdays as we explore Shakespeare’s A Midsummer Night’s Dream! Join us to learn some historical insight around the celebrations of Midsummer and brief overview of the scene we’ve chosen to explore this month!
Ever wonder how a professional actor plays an inexperienced actor on stage? Find out as Emeritus Theatre Professor Terry Weber shares some challenges, tools, and insights on performing Peter Quince in A Midsummer Night’s Dream!
Part of the magic of A Midsummer Night’s Dream is all the creative costumes that help bring the characters to life! Join us as Costume Shop Manager Melissa Caldwell-Weddig explores how to go about using the text for costuming clues and repurposing items around the house to create your own costumes!
Read the full scene here.
Want to learn more? Check out these resources!
- Folger Shakespeare Library
- Midsummer Madness: Science, Social History, and Shakespeare
- Myth of Thisbe
We are currently working on next month’s videos that center around activism in theatre and the role stories can play in creating a better society.
Have a suggestion of a play or theatrical aspect you would like to learn more about? Other questions?
Contact Hana Sherman at firstname.lastname@example.org