Mike has been a Sound Designer and Engineer for UT’s Theatre program and the CBT professional company for over thirteen years where he’s worked with national and international directors including Liviu Ciulei, Paul Barnes, Henryk Baranowsky, Franck Heinig, and Gerald Freedman. Some standout productions include Dance in Time (the American debut of Laszlo Marton’s epic told through movement), Metamorphoses (with Joe Haj), and the American debut of George Tabori’s The Brecht Files. More recently, Mike particularly enjoyed making very odd music for Casey Sam’s production of Dead Man’s Cell Phone.